.

Alternative Press - Behind the Scenes [x]

(Source: hotdamn5sos, via that-one-romantic-novelist)

Timestamp: 1411401012

Alternative Press - Behind the Scenes [x]

(Source: hotdamn5sos, via that-one-romantic-novelist)

half-irishirwin:

this boy can wear anything and look attractive

(via hotdamnmikey)

Timestamp: 1410789886

half-irishirwin:

this boy can wear anything and look attractive

(via hotdamnmikey)

Timestamp: 1410765225

hannibal-ate-bluebell:

girls don’t want boys to like them girls want kristen stewart and natalie dormer to play lesbian lovers in an indie movie with a good soundtrack

(via mali-hale)

probably gonna have a mental breakdown at 7 am 

mayister:

darkestgreen:

thebestworstidea:

resilientkate:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.

I want you to think about what you said.

What you keep saying.

What you are telling your children.

You are making them powerless.

that last comment. actually crying.

YES I REMEMBER I saw this in our artclass and I couldn’t find words to say afterwards

(Source: andrewfishman, via ssadhomo)

Timestamp: 1410634509

mayister:

darkestgreen:

thebestworstidea:

resilientkate:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.

I want you to think about what you said.

What you keep saying.

What you are telling your children.

You are making them powerless.

that last comment. actually crying.

YES I REMEMBER I saw this in our artclass and I couldn’t find words to say afterwards

(Source: andrewfishman, via ssadhomo)

  • Sirius: *Writing a letter to James*
  • Sirius: Deer James
  • Lily: It's Dear
  • Sirius: No it isn't

gerardgayofficial:

look for someone who will miss you as much as kerrang misses mcr

(via eightydollarpolaroids)

(Source: gabsygabs, via danisnotonfire)

lukessextakesmetoparadise:

hemmingsleep:

5econdsof5ummer:

5sos Twitcam 17/01/13 

↳ How Ashton humped Calum’s bed to death

never let this die omfg

(Source: calingual, via 5-seconds-of-rainbow)

Timestamp: 1410372568

lukessextakesmetoparadise:

hemmingsleep:

5econdsof5ummer:

5sos Twitcam 17/01/13 

↳ How Ashton humped Calum’s bed to death

never let this die omfg

(Source: calingual, via 5-seconds-of-rainbow)

dutchster:

"he’s making that face again isn’t he"

(Source: tastefullyoffensive, via joshklingwaffle)

Timestamp: 1410341564

dutchster:

"he’s making that face again isn’t he"

(Source: tastefullyoffensive, via joshklingwaffle)